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Film Critic[edit] In the early 1960s, Bogdanovich was known as a film programmer at the Museum of Modern Art in New York City.

An obsessive cinema-goer, seeing up to 400 movies a year in his youth, Bogdanovich showcased the work of American directors such as Orson Welles and John Ford—whom he later wrote a book about, based on the notes he had produced for the Mo MA retrospective of the director—and Howard Hawks.

After reaching the top of his profession, the next few years were downhill to a low in 1976.

Filming a movie is no simple task–it requires late nights and early mornings, often without breaks.

The frisson between this optimistic use of the cinema and the negative story gives it a very galvanising and disturbing quality.

American film director who became Hollywood's resident young genius with his breakthrough film, "The Last Picture Show," 1971.

His most critically acclaimed film is The Last Picture Show (1971).I don't think many American films are as pessimistic.And yet, there's an extraordinary feeling of youth in it, of everything being possible.And they had for years what Bogdanovich calls "a complicated relationship". "The first time I saw it in 1955 was an overwhelming experience, like someone had thrown a pail of water in my face.Over the years, my view of it has deepened and I'm more in awe of it than ever.

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